#SUNLIGHT LYRICS MADONNA DISCOGRAPHY FULL#
With Presleymania at full tilt, RCA simultaneously released a single, a four-track EP and an album, all with the same cover of Elvis in full, demented cry.
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The King's first album was also the first example of how to cash in on a teenage craze. put simply, on this album and the follow-up, Highway 61 Revisited, Dylan invented modern rock music. On the opening song, 'Subterranean Homesick Blues', Dylan manages to pay homage to the Beats and Chuck Berry, while anticipating the surreal wordplay of rap. Released in one of pop's pivotal years, Bringing it All Back Home fused hallucinatory lyricism and, on half of its tracks, a raw, ragged rock'n'roll thrust. Certainly the first augury of what was to come with the momentous 'Like a Rolling Stone'. And no powerful female pop icons like Madonna.
The Robert Mapplethorpe-shot cover, in which a hungry, mannish Patti stares down the viewer, defiantly broke with the music industry's treatment of women artists (sexy or girl-next-door) and still startles today. Who would have thought punk rock was, in part, kickstarted by a girl? Poet, misfit and New York ligger, Patti channelled the spirits of Keith Richards, Bob Dylan and Rimbaud into female form, and onto an album whose febrile energy and Dionysian spirit helped light the touchpaper for New York punk. no Innervisions (Stevie Wonder) or Superfly (Curtis Mayfield). Led by the oft-covered 'Inner City Blues', it ushered in an era of socially aware soul. Motown boss Berry Gordy hated it but its disillusioned nobility caught the public mood. Equally startling was the music, softening and double-tracking Gaye's falsetto against a wash of bubbling percussion, swaying strings and chattering guitars. Gaye's career as tuxedo-clad heart-throb gave no hint he would cut a concept album dealing with civil rights, the Vietnam war and ghetto life. Johnson recorded a mere 29 songs, chief among them 'Hellhound on My Trail', but when it was finally issued, King of the Delta Blues Singers became one of the touchstones of the British blues scene. He was said to have sold his soul to the devil at a crossroads in Mississippi in exchange for his finger-picking prowess. no Eminem, no 50 Cent, no Dizzee Rascal.ĭescribed by Eric Clapton as 'the most important blues singer that ever lived', Johnson was an intensely private man, whose short life and mysterious death created an enduring mythology.
As befits an album boasting a song called 'Fuck tha Police', attention from the FBI, the Parents' Music Resource Centre and our own Metropolitan Police's Obscene Publications Squad sealed its notoriety. It gave the world a new production mogul in Dr Dre, and gave voice to the frustrations that flared up into the LA riots in 1992. Part aural reportage (sirens, gunshots, police radio), part thuggish swagger, Compton laid the blueprint for the most successful musical genre of the last 20 years, gangsta rap. Like a darker, more vengeful Public Enemy, NWA (Niggaz With Attitude) exposed the vicious realities of the West Coast gang culture on their lurid, fluent debut. And, through a sample on Afrika Bambaataa's seminal 'Planet Rock', the German eggheads joined the dots with black American electro, giving rise to entire new genres. Still, this paean to the beauty of mechanised movement and European civilisation was a moving and exquisite album in itself. Kraftwerk operated from within a bubble of equipment and ideas which owed more to science and philosophy than mere entertainment. Released at the height of punk, this sleek, urbane, synthesised, intellectual work shared little ground with its contemporaries.
It defined the Sixties and - for good and ill - gave white rock all its airs and graces. At a time when all pop music was stringently manufactured, these Paul McCartney-driven melodies and George Martin-produced whorls of sound proved that untried ground was not only the most fertile stuff, but also the most viable commercially. But Sgt Pepper's made the watertight case for pop music as an art form in itself until then, it was thought the silly, transient stuff of teenagers.
There are those who rate Revolver (1966) or 'the White Album' (1968) higher. Sgt Pepper's Lonely Hearts Club Band (1967) Bowie, Roxy Music, Siouxsie and the Banshees and the Jesus and Mary Chain, among many others.
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